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The topic of this paper is on the film "Gattaca." The film "Gattaca" is a projection of the eugenics world in the visible future and the fulfillment of genetic engineering, which is the scientific and deliberate manipulation or re-design of human genes for the purpose of producing "superior" individuals. The film visualizes that oncoming era when "today's culture of perfectionist striving" (Ebert 1997) will be the norm: a society, dominated by super beings, who, as test-tube babies, grow to be disease-immune and defect-free, of superior IQ and guaranteed longevity (Ebert). As supreme-quality products of genetic engineering, their physiological, mental and psychological imperfections are pre-empted and stamped out and a perfect DNA structure predetermined, according to their parents' factory specifications.
Pages: 7
Bibliography: 11 source(s) listed
Filename: 11 A Film Gattaca.doc
Price: US$62.65
2.
147 What's Love Got to Do With It?
This essay is my critical examination of the film The Piano and of Bell Hook's essay concerning sexism and misogyny. I first read the essay and then watched the film. At first, I was just trying to see what Ms. Hook was pointing out, but then I realized I needed to make my own opinions about the movie, while still being enlightened by the examination of Bell Hook. The Piano "seduces and excites audiences with its uncritical portrayal of sexism and misogyny." Misogyny and sexism are the central themes in the movie, although I have to say that the movie relies on these ideas to keep it alive and of interest to women because it's the very most thing they are familiar with. The Piano raises interesting and important questions about morality, love and the ends justifying the means. It's a story of manipulation, blackmail and unexpected attraction.
Pages: 5
Bibliography: 0 source(s) listed
Filename: 147 Film The Piano.doc
Price: US$44.75
3.
240 Keeping Shakespeare Moving.
This paper discusses Shakespeare's Work. Shakespeare's work has made the jump from page to screen more than a few times. People enjoy Shakespeare for a variety of reasons. Some people enjoy reading Shakespeare; others are used to enjoying the amount of Shakespeare a filmmaker can fit into a two-hour film. Whether on film or in print, anyone who enjoys Shakespeare knows that imagination is key to enjoying it. But there are differences between the choices of experiencing Shakespeare. With a book, you can pause and come back to it later; you can digest it at your own pace. You can also reread certain passages and study the text more intensely than you can actors in a film. A lot of Shakespeare's speeches state the same thing several ways, so that the audience at a live performance can catch what's going on. When reading that speech, you can enjoy the entire thing without worrying about keeping up.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 240 Keeping Shakespeare Moving.doc
Price: US$71.60
4.
283 Shakespeare: A Comparison between Play and Film.
It's not an easy feat, translating Shakespeare from play to film, but many have tried. While many of Shakespeare's works have been translated to film, this paper will concentrate on Romeo and Juliet. Romeo and Juliet is one of Shakespeare's greatest told stories, one that has withstood the holds of time again and again, even in film. Like all turn-of-the-century movies, the Shakespeare film still hadn't reached the stage of telling a story in pictures. Moreover, to make a silent movie based on the work of England's greatest poet-dramatist seemed so crazy that filmmakers. The process of messing with musical accompaniments, sound effects, phonographs, intertitles, and supplementary lecturers seem overwhelming to the film industry of this time.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 283 Shakespeare Play Film.doc
Price: US$71.60
5.
310 An Analysis of Goodfellas.
This paper discusses "Goodfellas" - a film about gangsters and crime. In "Goodfellas", Henry Hill partakes in the same type of illegal activities as his cohorts Tommy and Jimmy, but Henry employs a sensibility and loyalty that makes his character far more sympathetic. If Henry gets violent, he only becomes so out of principle or because the other guy "has it coming". When Tommy acts similarly, it comes from a deep-seated place of pure evil. For example, there is a scene in which Henry pistol-whips a young man who made advances on his girlfriend, Karen. The audience certainly has no trouble siding with Henry in this instance because the guy he attacks is a jerk, plain and simple.
Pages: 4
Bibliography: 0 source(s) listed
Filename: 310 Analysis Of Goodfellas.doc
Price: US$35.80
6.
316 The Role of Women in Classic Film.
This paper discusses the role of women in Hollywood's classic film. It has been written that, in art, there are generally two archetypal female characters: the whore and the Madonna. In the following pages I will argue that, in Hollywood's classic film noir period, there was often little distinction between the two. In The Maltese Falcon's, Brigid O'Shaughnessy and Sunset Blvd.'s, Norma Desmond, we find two women who are equal parts spider woman and maternal virgin. These two characters represent a historical period in America when women were just beginning to come into their own, and as a result the characters seem conflicted about which societal role to play, often choosing to utilize whatever label suits their needs at the moment. This type of fickleness can be summed up in one word: Manipulation.
Pages: 5
Bibliography: 2 source(s) listed
Filename: 316 Women Classic Film.doc
Price: US$44.75
7.
317 Hitchcock and the Auteur Theory.
This film discusses the Auteur Theory and Hitchcock. The Auteur Theory states that the best films carry the imprints of their auteur (authors) on them (Lavery, p.10). The merits of this theory has been a subject of much cinematic debate over the years, as it gives most of the credit to the director of the film with little regard for the team of people around him/her. However, making a good case for the theory stand the films of Alfred Hitchcock, each bearing the indelible thumbprint of its creator.
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