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This paper is written about drama and Hamlet's Character. William Hazlitt largely comments on the contemporariness and universality of Hamlet's character: that although Shakespeare wrote the play more than 500 years ago, we have come to know the character of the tragic Prince quite well. Not only because we read about him in school, but also - and more - because we know his thoughts as we do our own. (Hazlitt 1900) His sayings and speeches are not only real but are as real as our own thoughts when we ponder and despair over our or others' misfortunes and grief. Each of us becomes Hamlet, in Hazlitt's view, whenever we bear the weight of reflection (Hazlitt), when the sun in us is made dim by "envious mists" in our hearts, whenever the world looks nothing better than a "dull blank", when our love is despised, or when sadness sticks to us and makes our mind sink within.
Pages: 8
Bibliography: 5 source(s) listed
Filename: 45 Drama Hamlet Character.doc
Price: US$71.60
2.
87 Salem Possessed And The Crucible.
This paper discusses the movie, The Crucible, which was derived entirely from the book entitled, Salem Possessed: the Social Origins of Witchcraft by Paul S. Boyer, with only a few differences, owing to technical limitations in movie production. The movie had to reduce the number of characters of the books in order to produce it on cinema. Time lapses were shortened, due again to cinematic limitations in presenting the events. Furthermore, the nature of the charges against Giles Corey was not identical. In the book, he is charged with contempt of court for refusing to plead either innocent or guilty. In the movie, he is charged with contempt for refusing to name the person who told him about Thomas Putnam's intent to buy land by means of false accusation. And while Abigail Williams is presented as an 11-year-old girl in the book, she is 17 years in the movie in order to justify or make credible her being the lust object of John Proctor.
Pages: 6
Bibliography: 3 source(s) listed
Filename: 87 Salem Possessed Crucible.doc
Price: US$53.70
3.
147 What's Love Got to Do With It?
This essay is my critical examination of the film The Piano and of Bell Hook's essay concerning sexism and misogyny. I first read the essay and then watched the film. At first, I was just trying to see what Ms. Hook was pointing out, but then I realized I needed to make my own opinions about the movie, while still being enlightened by the examination of Bell Hook. The Piano "seduces and excites audiences with its uncritical portrayal of sexism and misogyny." Misogyny and sexism are the central themes in the movie, although I have to say that the movie relies on these ideas to keep it alive and of interest to women because it's the very most thing they are familiar with. The Piano raises interesting and important questions about morality, love and the ends justifying the means. It's a story of manipulation, blackmail and unexpected attraction.
Pages: 5
Bibliography: 0 source(s) listed
Filename: 147 Film The Piano.doc
Price: US$44.75
4.
200 Erich von Stroheim-A Direction of Passion.
Erich von Stroheim's financial excesses and explosive temperament were condemned by many movie studios, von Stroheim was known for his eccentricities and his life full of excessive misguided energy. He was not only a passionate director, but a writer of many films, and a magnificent actor that took on many difficult roles. Erich von Stroheim - Director, actor, writer, editor, producer and costume designer. One of the true - if controversial - geniuses of the silent screen, he was initially an actor and in 1914 became a prot¨¦g¨¦ of D.W. Griffith. Von Stroheim's financial excesses and explosive temperament were condemned by the Universal (and later other studios). He was sometimes banished from the set, removed from production and saw his films edited to tragic proportions - thus quashing his artistic rebellion under the strict studio policy.
Pages: 9
Bibliography: 4 source(s) listed
Filename: 200 Erich Von Stroheim.doc
Price: US$80.55
5.
283 Shakespeare: A Comparison between Play and Film.
It's not an easy feat, translating Shakespeare from play to film, but many have tried. While many of Shakespeare's works have been translated to film, this paper will concentrate on Romeo and Juliet. Romeo and Juliet is one of Shakespeare's greatest told stories, one that has withstood the holds of time again and again, even in film. Like all turn-of-the-century movies, the Shakespeare film still hadn't reached the stage of telling a story in pictures. Moreover, to make a silent movie based on the work of England's greatest poet-dramatist seemed so crazy that filmmakers. The process of messing with musical accompaniments, sound effects, phonographs, intertitles, and supplementary lecturers seem overwhelming to the film industry of this time.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 283 Shakespeare Play Film.doc
Price: US$71.60
6.
310 An Analysis of Goodfellas.
This paper discusses "Goodfellas" - a film about gangsters and crime. In "Goodfellas", Henry Hill partakes in the same type of illegal activities as his cohorts Tommy and Jimmy, but Henry employs a sensibility and loyalty that makes his character far more sympathetic. If Henry gets violent, he only becomes so out of principle or because the other guy "has it coming". When Tommy acts similarly, it comes from a deep-seated place of pure evil. For example, there is a scene in which Henry pistol-whips a young man who made advances on his girlfriend, Karen. The audience certainly has no trouble siding with Henry in this instance because the guy he attacks is a jerk, plain and simple.
Pages: 4
Bibliography: 0 source(s) listed
Filename: 310 Analysis Of Goodfellas.doc
Price: US$35.80
7.
348 An Analysis of "The Last of the Mohicans".
This paper discusses the problems in making a novel into a motion picture. Despite the protests of such critics, it cannot be denied that film adaptations serve a very important purpose in introducing the classics to young minds. In that respect, Mann's film succeeds in bringing "The Last of the Mohicans" into the consciousness of a new generation, and does so with superb acting, careful attention to detail and picturesque landscapes. But at what cost to the integrity of Cooper's work is this accomplished?
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