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This is a paper on Anne Bradstreet who was a poet that was deeply attached to her loved ones. A strong connection existed between she and her father, her husband, he children. Her poems illustrate the greatness of her love for her husband; she gives light to a love that withstands time and distance. Everything she wrote was with only the strongest of feelings. Most of her works were written after the death of her father. Perhaps Bradstreet experienced greater freedom to express her deepest personal feelings in her work after his death. During these years, she wrote primarily about her domestic life and her spiritual experiences. Poetry writing enabled Bradstreet to endure the conflicts of her middle years when her affections were not sufficiently weaned from her family to permit her to put the demands of God first. Her craft also made it easier to accept the periods of isolation during her husband's frequent and sometimes long absences while he was on business for the church.
Pages: 4
Bibliography: 6 source(s) listed
Filename: 135 Anne Bradstreet Poet.doc
Price: US$35.80
2.
151 Literacy in the Aegean Bronze Age.
This paper discusses the Aegean Bronze Age. Anthropologists and archaeologists call certain societies "iron age" or "bronze age." In doing this they recognize that the properties of the main metal used by a society's technology greatly affect both its use and through this the nature of that society. For instance, bronze unlike iron is too soft to be used for ploughing; it is an alloy. Bronze can be smelted at lower temperatures than iron, which need specialized supplies of charcoal. All these facts affect societies, which use bronze and iron. For example, since bronze cannot be used for ploughing these societies cannot produce in many regions the large agriculture surplus iron societies can; since bronze requires tin bronze age societies had to trade, etc. (Claiborne, 1974) I believe the same parallel exists between the different characteristics of different writing systems and its use as a communication technology in a society.
Pages: 7
Bibliography: 12 source(s) listed
Filename: 151 Aegean Bronze Age.doc
Price: US$62.65
3.
182 A Doll's House: Isben's Truth.
This paper is on "A Doll House: Isben's Truth. Isben views about women were obviously right on. He believed to the fullest in spite of society's umbrella of contempt. He saw the plight of women in that era. The "barbaric outrage," was that of having a woman give up herself completely for her husband and family. Society won the ending of the play; that, however, was only part of the battle. To a nineteenth-century audience, however, the idea of a woman casting aside her marriage vows and acting against her husband's will was sacrilegious and obscene; the idea that a mother would abandon her children was at direct odds with nineteenth-century notions of womanhood, which defined women as mothers. Nora's claim that her duty to herself is as important as her duty as a wife and mother was deemed immoral by critics everywhere. Against his wishes, Ibsen was coerced into writing an alternative ending for the play when it was staged in Germany in 1880.
Pages: 6
Bibliography: 1 source(s) listed
Filename: 182 A Doll's House.doc
Price: US$53.70
4.
245 Orem's Self-Care Model: A Professional Nursing Practice Model.
This paper discusses Orem's Self-Care Model. Nursing theory is an organized and systematic articulation of a set of statements related to questions in the discipline of nursing. (Caley, p. 302, 1980) The model presented by Dorothea Orem is based on the idea that as human beings, we are engaged in self-care activities that allow us to maintain a state of good health. Orem defines health as "a state of a person that is characterized by soundness or wholeness of developed human structures and of bodily and mental functioning" (Coleman, p. 325, 1980) Utilization of Orem's concepts allows the nurse freedom to develop their own style practice to best meet the self-care needs of any patient.
Pages: 3
Bibliography: 4 source(s) listed
Filename: 245 Orem Self-Care Model.doc
Price: US$26.85
5.
380 An Analysis of the Movie: "O Brother, Where Art Thou?"
This paper is an analysis of Joel Coen directed, "O Brother, Where Art Thou?" loosely based on Homer's epic adventure, "The Odyssey", is a film whose mise-en-scene is packed full of symbolism that reflects the themes of Homer's epic while maintaining an originality and surreal style that the Coen brother's have become renowned for. Much of the symbolism is accomplished through setting and color, which add a great deal to the overall tone and feeling of the film. Other symbolism is present in the large and varied cast of characters that populate the film, as well as the music for which the film has been widely praised. In the end, all of these elements combine to make for a deep and heady adventure pitting good against evil, that is relevant in any period, be it Ancient Greece, the depression-era South, or the world as we know it today.
Pages: 8
Bibliography: 0 source(s) listed
Filename: 380 Movie Joel Coen.doc
Price: US$71.60
6.
414 Peter Paul Rubens.
This paper discusses the diplomat, linguist and scholar, Peter Paul Rubens is also considered to be the most sought-after portrait painter of seventeenth century Northern Europe. The Flemish-born son of a lawyer, Rubens studied the classics at a Latin school in Antwerp and then served as a court page before deciding to become a painter. In 1598, by the age of 21, he was given the rank of master painter of the Antwerp Guild of St.Luke. Two years later he would move to Italy where he became immersed in the works of the Italian renaissance masters such as Paolo Veronese and Tintoretto and most significantly, Titian, whose style would greatly influence his own.
Pages: 5
Bibliography: 4 source(s) listed
Filename: 414 Peter Paul Rubens.doc
Price: US$44.75
7.
454 The Films of Ingman Bergman.
The topic of this paper is on the films of Ingman Bergman. The films of Ingmar Bergman incorporate many elements that together make up the unique style that the master filmmaker has become known for. These elements include a deep knowledge and understanding of human nature that manifests itself in the characters Bergman brings to the screen. Bergman is also adept at utilizing themes and motifs in his films, such as the ever-present dream sequence, which, once recognized and understood, show his work in a whole new light. Bergman's films have resonated with audiences over the years because they ask questions that are universal, and focus on the truths of the human condition that are pondered by all mankind - love, mortality, regret, sorrow, fear and so on. In the following pages, I will examine five of Bergman's films, and analyze and comment on the plots, themes and other elements utilized by Bergman in each.
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