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This paper is a biography of William Shakespeare. He may be lauded as the author of popularly admired literature done by any individual in the history of Western civilization. (Grolier 1996) He may be the most influential writer in all of English literature or the most important dramatis and poet of the English Renaissance. (Spark notes) But William Shakespeare will still be, to most, the greatest playwright of all time. He was, in fact, a public and critical success (Spark Notes) in the field of theater, particularly as a favorite of both Elizabeth I and James I who reigned in succession (1558- 1603 and 1603-1625, respectively), King James granting Shakespeare's company with the royal status as king's players. For this, Shakespeare was immensely popular and wealthy till his death in 1616, but such popularity cannot compare with that which has survived him today and not just in England, but also throughout the world.
Pages: 14
Bibliography: 9 source(s) listed
Filename: 42 Biography William Shakespeare.doc
Price: US$125.30
2.
84 Commonalities In 3 Shakespeare Plays.
This paper discusses the commonalities in 3 different Shakespeare plays. Macbeth" is a largely supernatural story. The prophecies of the witches, the hallucinations of both Macbeth and Lady Macbeth before and after the murders stand out powerfully in the play to bring out what the human mind is capable of conceiving and what the human will is capable of choosing. Lady Macbeth speaks the latter lines while she sleepwalks, and even then, she refuses rationalizes that they have nothing to fear because no one else knows about the murder they committed. She also blames the king for having "so much blood in him" that it spills into her hands. But it is at this point that Lady Macbeth loses her mind. If in "Macbeth," the supernatural is used by Shakespeare to predict, to warn and to torture the conscience of the guilty, he uses it in "Hamlet" as an ally that seeks revenge. In "King Lear," the supernatural is utilized by Shakespeare to picture the magnitude of the king's indignation, the depth of his sorrow and the extent of his depression in a way that the reader can imagine or personally experience.
Pages: 5
Bibliography: 3 source(s) listed
Filename: 84 Commonalities Shakespeare Plays.doc
Price: US$44.75
3.
240 Keeping Shakespeare Moving.
This paper discusses Shakespeare's Work. Shakespeare's work has made the jump from page to screen more than a few times. People enjoy Shakespeare for a variety of reasons. Some people enjoy reading Shakespeare; others are used to enjoying the amount of Shakespeare a filmmaker can fit into a two-hour film. Whether on film or in print, anyone who enjoys Shakespeare knows that imagination is key to enjoying it. But there are differences between the choices of experiencing Shakespeare. With a book, you can pause and come back to it later; you can digest it at your own pace. You can also reread certain passages and study the text more intensely than you can actors in a film. A lot of Shakespeare's speeches state the same thing several ways, so that the audience at a live performance can catch what's going on. When reading that speech, you can enjoy the entire thing without worrying about keeping up.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 240 Keeping Shakespeare Moving.doc
Price: US$71.60
4.
283 Shakespeare: A Comparison between Play and Film.
It's not an easy feat, translating Shakespeare from play to film, but many have tried. While many of Shakespeare's works have been translated to film, this paper will concentrate on Romeo and Juliet. Romeo and Juliet is one of Shakespeare's greatest told stories, one that has withstood the holds of time again and again, even in film. Like all turn-of-the-century movies, the Shakespeare film still hadn't reached the stage of telling a story in pictures. Moreover, to make a silent movie based on the work of England's greatest poet-dramatist seemed so crazy that filmmakers. The process of messing with musical accompaniments, sound effects, phonographs, intertitles, and supplementary lecturers seem overwhelming to the film industry of this time.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 283 Shakespeare Play Film.doc
Price: US$71.60
5.
393 Shakespeare and Iambic Pentamenter.
This paper discusses Shakespeare and iambic pentamenter. Meter is the regular rhythmic pattern of a speech, or poem, or in the case of Shakespeare, a play. Iambic pentameter is one of the most common metrical schemes in English, because it sounds the most like ordinary speech. It only makes sense that Shakespeare would choose to write his plays in such a way that the words would sound natural coming out of the mouths of the actors, and yet retain a poetic quality that adds a greater depth and sense of drama to their meaning. Of course, people do not always rhyme their sentences when they speak, and therefore it makes sense that Shakespeare would choose to write his plays largely in what is called, blank verse. That is, iambic pentameter that does not rhyme. There are exceptions, of course.
Pages: 2
Bibliography: 0 source(s) listed
Filename: 393 Shakespeare Iambic Pentamenter.doc
Price: US$17.90
6.
1726 The Representation of Corruption in Dante's Inferno, Chaucer's "The Pardoner's Tale", and Shakespeare's Hamlet.
A focus upon how these three giants of European literature represent a particular aspect of their cultural and social contexts would lead to insights, not only into their societies, but into how artists manipulate contextual material for their own aesthetic or critical purposes. Examining their treatment of the theme of social corruption in three representative texts, we will see that all three writers were engaged/removed to different degrees with regard to their social contexts. This paper will argue that, of the three writers, the Florentine Dante is the most directly engaged with the theme of corruption in his society. 8 pgs. 12 f/c. 4b.
Pages: 8
Bibliography: 4 source(s) listed
Filename: 1726 European Literature.doc
Price: US$71.60
7.
1955 Misogyny, Misogyny, Only Way of Thinking He Can See: Iago's Attitudes Towards Women in William Shakespeare's Othello.
This paper discusses Iago's attitude toward women. As well this paper examines both what he says about women in general and about some women in particular (i.e. Desdemona, Emilia, Bianca, and Venetian women). Discussed are what he does to women and shows how these contribute to his attitude, also answered is the relationship between this attitude and his desire for revenge. 4.5 pgs. 7 f/c. 1b.
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