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This paper discusses the movie, The Crucible, which was derived entirely from the book entitled, Salem Possessed: the Social Origins of Witchcraft by Paul S. Boyer, with only a few differences, owing to technical limitations in movie production. The movie had to reduce the number of characters of the books in order to produce it on cinema. Time lapses were shortened, due again to cinematic limitations in presenting the events. Furthermore, the nature of the charges against Giles Corey was not identical. In the book, he is charged with contempt of court for refusing to plead either innocent or guilty. In the movie, he is charged with contempt for refusing to name the person who told him about Thomas Putnam's intent to buy land by means of false accusation. And while Abigail Williams is presented as an 11-year-old girl in the book, she is 17 years in the movie in order to justify or make credible her being the lust object of John Proctor.
Pages: 6
Bibliography: 3 source(s) listed
Filename: 87 Salem Possessed Crucible.doc
Price: US$53.70
2.
129 A Good Life: Newspapering and Other Adventures.
This is a book report on "A Good Life: Newspapering and Other Adventures." A book about a newspaperman who wanted to make a presence in print. "Newsmakers are increasingly liars," the author states from the very beginning, and the CIA make a mess when they "try to make things happen." (Bradlee, 1995) These are strong statements, which seemed to be the thesis and central theme throughout the book. Many people would say the same thing about the press, too. Mr. Bradlee has lots of strong opinions about several different topics, but pay attention because they sometimes change. It is odd that Bradlee never blames the press itself for the growth of the celebrity culture that he laments. But he brags about wanting anyone and everyone to talk about his paper. I enjoyed this book for it's look inside the life of a journalistic, but I believe another book could have done it without all the frills.
Pages: 3
Bibliography: 1 source(s) listed
Filename: 129 A Good Life.doc
Price: US$26.85
3.
147 What's Love Got to Do With It?
This essay is my critical examination of the film The Piano and of Bell Hook's essay concerning sexism and misogyny. I first read the essay and then watched the film. At first, I was just trying to see what Ms. Hook was pointing out, but then I realized I needed to make my own opinions about the movie, while still being enlightened by the examination of Bell Hook. The Piano "seduces and excites audiences with its uncritical portrayal of sexism and misogyny." Misogyny and sexism are the central themes in the movie, although I have to say that the movie relies on these ideas to keep it alive and of interest to women because it's the very most thing they are familiar with. The Piano raises interesting and important questions about morality, love and the ends justifying the means. It's a story of manipulation, blackmail and unexpected attraction.
Pages: 5
Bibliography: 0 source(s) listed
Filename: 147 Film The Piano.doc
Price: US$44.75
4.
177 Davidson and the Existence of Conventional Language.
This paper is written about Donald Davidson and the existence of conventional language. In his essay "A Nice Derangement of Epitaphs," Davidson defends the highly controversial thesis that 'there is not such a thing as a language, not if a language is anything like what many philosophers and linguists have supposed' and that 'we should give up the attempt to illuminate how we communicate by appeal to conventions'. It falls beyond the scope of this paper to evaluate Davidson's arguments for this thesis. Its point will be to defend the plausibility of its conclusion against the widely held view that the rejection of languages is clearly false, or even absurd.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 177 Davidson Existence Language.doc
Price: US$71.60
5.
200 Erich von Stroheim-A Direction of Passion.
Erich von Stroheim's financial excesses and explosive temperament were condemned by many movie studios, von Stroheim was known for his eccentricities and his life full of excessive misguided energy. He was not only a passionate director, but a writer of many films, and a magnificent actor that took on many difficult roles. Erich von Stroheim - Director, actor, writer, editor, producer and costume designer. One of the true - if controversial - geniuses of the silent screen, he was initially an actor and in 1914 became a prot¨¦g¨¦ of D.W. Griffith. Von Stroheim's financial excesses and explosive temperament were condemned by the Universal (and later other studios). He was sometimes banished from the set, removed from production and saw his films edited to tragic proportions - thus quashing his artistic rebellion under the strict studio policy.
Pages: 9
Bibliography: 4 source(s) listed
Filename: 200 Erich Von Stroheim.doc
Price: US$80.55
6.
283 Shakespeare: A Comparison between Play and Film.
It's not an easy feat, translating Shakespeare from play to film, but many have tried. While many of Shakespeare's works have been translated to film, this paper will concentrate on Romeo and Juliet. Romeo and Juliet is one of Shakespeare's greatest told stories, one that has withstood the holds of time again and again, even in film. Like all turn-of-the-century movies, the Shakespeare film still hadn't reached the stage of telling a story in pictures. Moreover, to make a silent movie based on the work of England's greatest poet-dramatist seemed so crazy that filmmakers. The process of messing with musical accompaniments, sound effects, phonographs, intertitles, and supplementary lecturers seem overwhelming to the film industry of this time.
Pages: 8
Bibliography: 3 source(s) listed
Filename: 283 Shakespeare Play Film.doc
Price: US$71.60
7.
310 An Analysis of Goodfellas.
This paper discusses "Goodfellas" - a film about gangsters and crime. In "Goodfellas", Henry Hill partakes in the same type of illegal activities as his cohorts Tommy and Jimmy, but Henry employs a sensibility and loyalty that makes his character far more sympathetic. If Henry gets violent, he only becomes so out of principle or because the other guy "has it coming". When Tommy acts similarly, it comes from a deep-seated place of pure evil. For example, there is a scene in which Henry pistol-whips a young man who made advances on his girlfriend, Karen. The audience certainly has no trouble siding with Henry in this instance because the guy he attacks is a jerk, plain and simple.
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